2 March 2015


Here's a short promo I made for the latest jewellery collection from Sugar & Vice, called The Afternoon Tea Collection. After filming I promptly devoured all the props, if only all projects involved cakes and biscuits.

Being as this is such a short video I decided to use it as an opportunity to play around with the 4K on my GH4. The level of detail in the footage is pretty insane, especially when you consider the GH4 is generally classed as a 'prosumer' camera and records straight onto SD cards internally. I wouldn't shoot everything in 4K but I think for smaller projects and anything that requires post-stabilisation it could be really useful.

There's much more jewellery in the Afternoon Tea Collection than I could fit into the promo so check it out here: www.sugarandvicedesigns.com/collections/the-afternoon-tea-collection

17 February 2015


Over the last few months I've been documenting the making of Claire Jones' latest album. Claire is a really talented harpist and was Official Royal Harpist for several years.

I filmed behind the scenes of the album being recorded at St Augustine's Church in Kilburn, which is really stunning inside and sounds great with a full orchestra playing. I also got to climb a mountain in Pembrokeshire and film some really incredible scenery in the Preseli Hills, that was a stark reminder of just how unfit I am.

Check out the promo below and learn more about Claire Jones here: www.clairejones.co.uk

12 February 2015


Here's a promo I made for ThinkFun, a great company that make "addictively fun games that sharpen your mind." It's all about their latest product called Compose Yourself, which enables everyone to be a composer within minutes.

The highlights of this project were filming a full orchestra playing in Abbey Road Studios, and interviewing world famous percussionist Evelyn Glennie. Big thanks to Helen Miles for her audio work.

Check out the promo below and learn more about Compose Yourself here: www.thinkfun.com/composeyourself

9 January 2015


I'm currently in very early pre-production on my latest short film. Something I always do once I've finalised a script is create a mood board, I find it helps me to visualise the mood and tone of the film. Some of the images relate to the actual script and others are purely random that I like and fit the tone. Check it out below and see if you recognise any film references. (Click for higher res).

8 December 2014


This year I was lucky enough to edit a short film called Supersonic, directed by Samuel Dore, produced by Neath Films and funded by BSLBT. The story is centred around a teenager's discovery that the superhero stories his father told him as a child might have been more than just stories.

The BSLBT "commissions television programmes made in British Sign Language by Deaf people for Deaf people." Consequently the film had a predominantly deaf and hard of hearing cast and the majority of dialogue in the film is sign language. This was really interesting from an editing point of view. As I'm a hearing person I had to really rely on the script to guide me, I also had an interpreter called Beverley Wilson who was a huge help when I got stuck. When editing a hearing film you can cut back and forth between people talking, showing one person's reaction when the other is talking off-screen, etc, but you can't do this for a deaf film. When someone is signing you have to stay on them until they've finished as their dialogue is 100% visual. This makes editing interesting and in some ways quite easy and simplistic, if someone is talking then you show them. I found myself utilising wide master shots more than I normally would as you can see the person signing and the other person's reaction simultaneously. I'd love to edit more signing and have the freedom to try different styles to portray the dialogue, such as split screens or picture-in-picture like 24. It's always good to expand your skills and I look forward to editing more deaf films.

Check out the trailer below and watch the full film on the BSL Zone website.